A List of Aikido Dojos in Singapore

Aikido in Singapore has evolved since the first day I joined more than 20 years ago.

For the most part, it has made the Aikido ecosystem very vibrant and multi-faceted. As there is no one fixed way to climb the Aikido mountain, these schools gives Aikido students a plethora of ways to experience the art and find the teacher that most suit their personality and timing.

The list is in no way exhaustive as there are Aikidokas giving lessons on a free-lance basis. These listed organisations has their own stable dojo, training facilities and followed a structured martial arts curriculum.

Disclaimer: These information was complied off a Google, a public domain; based on the information on the school’s respective website. Please inform me of any errors and clarifications, and I’ll correct them soonest.

Shoshin Aikikai Singapore

Aikido Shinju-Kai            

Ueishiba Aikido              

Aikido Kenshinkai          

Aikido Shudokan            

Singapore Aikido Federation    

Mumei Shudan

Makoto Aikido 

Zhen-Qi Shu Aikido       

Aikikai Singapore           

Club Aikido       

Impact Aikido   

Hitoshinkan

Living Impact Aikido      

Aikido Taishinkai            

Tendoryu Aikido (Singapore)    

Kidou Academy               

Ki-Aikido            

Renshin Budokai Singapore       

 

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We have a problem

 

Two days back, there’s the annual Inter-University Aikido training at NUS and you will get to train with a lot of new folks from other universities, as well as bumping up with a lot of old pals, chronologically these pals are still significantly younger than me, so the ‘old’ in the pals here, refers to them as familiar faces from other university dojo.

Anyway…

For an Ikkyo-omote waza, I paired up with this petite girl from Singapore Management University. Harry sensei was showing a kind of a leading hand technique which will be quite technically difficult if there is no blending.

With this girl, there is no blending.

She was asking me if she was doing it correctly, and I replied. ‘Wait, there’s a problem I need to sort out.’

One of us is too hard and one of us has to soften.

No prize for getting the right answer.

Anyway it is not a matter of ‘seniority’ or ‘superior’ skills. She’s quite hard, and there’s no way that I can make her follow my leading hand, it’s a slippery fish analogy, the hard I try, the worse it becomes and eventually, both of us will walk away unable to execute the technique nicely.

So I soften, and try to blend; it was still awkward for a few cycles, then I caught her vibe and rhythm, and the technique begins to work. As a nage, she was quite hard and linear which is not what Harry sensei wanted us to do, nonetheless, I followed and let her leading hand, lead.

When it was her turn to be uke, she couldn’t follow, too hard.

So I soften some more and things begin to work, I could lead and she could follow.

And eventually we managed to get along with the technique, and enjoyed the session.

It was a problem

After class she came to me and we chatted a bit, and I found out her name was ‘Shuling’, so I asked her if she’d figured out the problem, she admitted that she’s too hard.

To make a fair argument, that’s life. She is not ‘wrong’ or ‘bad’ being hard, neither am I  the ‘better’ one being soft, I just want the technique to work, and the technique not working is a problem I need to fix with her. It is not a competition to see who is better than who. Which is why there is no element of competition in Aikido. We want to work with people, and make the situation work, so in order to work with people and get the best out of a situation, we open up, soften our stances and try to understand the other party, and help the other party open up as well.

We try to understand how our partner works, and help them help us. In a myopic spirit of competitiveness, we try to understand our partners, so that we can exploit them, and their weakness, so that we can win, the competition, the medal, the glory. What and who did we end up destroying, for us to become a champion?

Sync problem 

Every time we partner someone, we have to calibrate our synchronicity, no two person is the same at any given time. Every touch point is unique and very much one in a gazillion event of a lifetime. It is a very precious connection and it is also a problem, because even with familiarity, it doesn’t always works. Even those Aikido friends’ I’ve been training with for years, I mentally prepare to meet them for the first time, every time. That’s beginner’s mind for me.

We can never fully understand our partner. In an Aikido context, how Shuling worked is only one part of the equation. Of course, I being more senior to her allows me the luxury of choice; to slow things down, soften and go along for the ride. I could have bumped into a chap more senior than me who is oblivious to how skillful he or she is, in that aspect, I as the uke/nage, too have to blend, in a soft way in a hard way, depends on the partner you got.

So we have to solve that working problem, and the technique can be the killer breaking up the work, or the technique can be one that brings two differing people together. One has to back down so that another one can step up, and once that person has stepped up, he or she can help the other one who backed down in the first place. So this is Aikido in a back and forth movement, nobody wins, but everyone one wins big. If you compete, there can be one winner, with a bigger problem. Isn’t it a better idea if everyone comes together, forget about the competition, solve the problem and win bigger?

You can’t choose your partner

Well, actually you can, but you have to wait your turn. I told Shuling that the dojo mimics life. How many of us has friends who became not friends, and our ‘enemies’ coming to our aid? Sometimes, as much as we mentally choose our partner, it is also a kind of cosmic fate that chooses our partner for us, and who we end up with is who we need to blend with, hard or soft, it all boils down to how hard and how much you treasure that brief fart of a connection you have with your training partner.

It might not be much, but that’s all we’ve got to give.

The Aikido Show

There is a lot of debate over what is Aikido. It will never end, as everyone who is practicing the art, will try to find a meaning for themselves.

Of course with social media, like my blog, we will try to define Aikido our way and influence other people in our journey, wittingly or not. Opinionated ones will say what Aikido is, or isn’t. Not so opinionated ones will have their own quiet resolve, and watches while the world argues over which of the waves in the ocean is perfect, and which one isn’t a wave.

YouTube is a sea, it is quite crowded with people there to swim, or debate over the waves. A lot of Aikidokas are there as well, trying to put in their pail’s worth of saltwater.

What you see in YouTube isn’t the true representation of Aikido. People who don’t understand martial arts thinks in their own way, and wonder about how effective those moves are on the streets. Some will ridicule that those techniques in YouTube will not work on the streets.

So will Aikido work?

No.

It will only work if you put real work into your Aikido, until you become skillful, and not watch YouTube Aikido and wonder, debate and deliberate over if these moves are legit or not.

They are legit.

As legit as they are for YouTube.

An Aikido Show

You see, anything you put in front of a camera, is there for a reason. You want to show the world something, it will be scripted and planned to a certain degree, there will be some spontaneity, some changes here and there. But more often than not, it will be practiced and rehearsed, to make sure there is a flow in the movement to fit the agenda of the person producing the video.

toilet-paper-roll-race-cars01

No matter how real Aikido looks in YouTube, it will never be as real as the Aikido you take years to practice and train. YouTube Aikido is like looking at Aikido through a toilet roll tube, and you expects to see Aikido in it’s entire entity? So the pun is intended, YOU watch through a toilet roll TUBE.

 

Embukai

People don’t understand Embukai, and for me I didn’t question it when I first joined Aikido, and to me it is a form of demonstration specific to the art. It is also, strictly speaking not Aikido, in full glory. It is a snippet of Aikido; it’s a show of cooperation, collaboration and hours of hard work and sweat to achieve the level of harmony and, to attain the flow as prescribed for the demonstration. Failure is minimized, resistance limited and struggles omitted. The uke will yield, slam, roll, fall and get thrown. It has to look good right?

embukai.png

Just as you go to watch Ballet, you expects the Ballerina to dance properly and not to watch him/her fumble during practice. You are there to watch a performance, not practice; for a ballerina to dance to a level of performance, he/she has to put into practice unspeakable amount of hours and commitment. But you don’t question ballet, just because you think it don’t fit hip hop.

So an Embukai is very much like a Ballet dance, you want to see what you expects them to do; and not the training to meet your level of expectations. It is a show and a show seldom reflects real life in full fidelity.

Disclaimer is always needed

There ought to be a kind of buyer beware, Caveat Emptor thing for those people who put up Aikido videos in YouTube, something like what I just grabbed off, where else? YouTube.

gun grabbing.png

Victor Marx

Anyone who posts martial arts videos on the internet cannot expect anyone who watches it to do exactly the same. Just as much as anyone who watches these videos cannot expects the people in the video to do what you expects them to do.  That is a video, a completed script with a specific message and delivery. So if anyone is so well trained that they wish to post on YouTube for showing and/or bragging, please don’t expect your well intentions to be taken well. Remember the road to hell is always paved with good intentions.

The point is…

If you watch YouTube and comes up with your decision on why it don’t work and why it does, then that’s good for you. Because you just missed the ocean view, looking at the sea.

New Year Resolution…Again?!

Dear Boys,

Happy New Year! We hear this every last day of December, and first day of January.

People always tend to take stock of what was done for the entire calendar year, based on the worldwide approved Julian Calendar. Unless you live in an island on your own, where you are the king, prime minister, president and citizen all rolled into one, everybody else uses the Julian Calendar.

it is always a human fallacy to know the things that are good for us that we don’t do enough…

After taking stock, comes this ‘resolution’ thingy, which usually means trying to do some things as a goal, aim, or target to hit for the new year, and then take stock again, end of the year. It never gets old, because every January is a Happy New Year!

I’m not a resolution person. I can tell you boys why on a blog, but it will take an entire  blog to tell you why I am not a resolution person. I’m just not.

But I was reading this self-help book, at random, 101 Tiny Changes to Brighten Your Day by Ailbhe Malone, and she was talking about well… small things, tiny things we can take notice of that can either brighten our day or darken it.

It’s something like don’t sweat the small stuff, except that you do, because when you take care of the small stuff, the big stuff will take care of itself.

Well, it’s not as if I don’t know about the small stuff and we need to focus on it, it is always a human fallacy to know the things that are good for us that we don’t do enough. So reading that book is a good reminder for me to look into the minute details of things, my daily actions, and let the rest worry itself. Of course there will be consequences of our actions, but sometimes, our consequences is beyond our control, what else can we do? Micro-adjust our next steps, and the next and the next, until we get what we want.

Aikido, it is all about the small things.

I ought to know this since I’m in Aikido, as Aikido is all about the small things. Heck, life is about it, and Aikido as a martial art, is only a fraction of what we succeed or fail in life. In Aikido, we work from a large circle as a novice to a small and barely perceptible circle of a long-time Aikidoka. From small circular movement, you can displace a larger momentum. Our aim is to make our circle smaller and smaller, and the only way to achieve that is to focus on our small movements, a little muscle twitch here, or even a fleeting thought there, that might delay our decision to move a fraction of a second, or too soon.

All the small things

This is not a resolution still, but for 2019- I want to go back to basics, and focus on the minute, nano-scopic details of my actions, and how these little small actions can affect me in a large way, positively or negatively.

That means I need to work on being a more sensitive, delicate and considerate person. Not for a better world, but for a better me, which in turns helps to better the world.

Class Chit Chat

Before I start any class, I made a point to gather the students and did some pep talk. Well, you can call it a chit chat, a nag, or telling tales and stories. Perhaps it is public speaking practise for me.

I think as an ‘evergreen’ class, NUS Aikido will constantly face a challenge of a doctrine bleed. Which means certain practices and culture in the class will leave when the NUS student graduate and start their new life as working professionals. Very few will return to NUS to continue training and uphold the tradition, it is a fact. They will take away the experiences and practices, replaced with another batch of freshmen. So the reality it someone has to constantly remind them of Aikido etiquette and culture. Why we do this and that, and the dos and don’ts in the dojo.

So those newbies come with no idea how the Japanese conducts a martial arts class, so I pep talked them, doing some Corporate Communications perhaps, some Public Relations, making sure that Aikido’s brand values and propositions is constantly being upheld. That’s business jargon anyway.

More importantly, some of them have never met and only beginning to know Harry sensei, whereas I’ve been training with him for 2 decades. Like all human beings, he has his idiosyncrasies and there will be potential misunderstanding. It’s no secret that I am immensely proud to train under him and I constantly remind the student the privilege to receive Harry sensei’s teaching. And we must never take the class for granted, and do sloppy techniques, in doing so patronize him and pissing him off. I’ve said our class is ‘limited edition’, only a small group in Ceylon Sports Club and then there is NUS Aikido. Harry sensei is very well respected regionally and when I tell other people I train with Harry sensei, I always get a certain level of response as if there is an expectation on me to perform and conduct myself in a level reflecting that I’m Harry sensei’s student. I make sure that the new student knows that. Well, that is a heck of a lot of salesmanship there!

Also I explained to the newbies what Aikido is and is not, in my personal opinion, and this is to manage their expectations. I share with them why I joined, I was drawn into it by the Steven Seagal hype, many of the boys and girls don’t even know who Steven Seagal is anymore. I guide them into preparing them what to expect in class, not so much talking more doing, and certain unspoken rules and cultures.

Honestly, I’m not sure if my chit chat is appreciated or not, frankly I’m more bothered that if no one does it, the Aikido in NUS will lose the Aikido spirit, I can see that many of the students take Aikido class as another ‘class’ and other ‘lecture’ Yes, NUS Aikido is conducted in a University campus but in no way Aikido is another ‘lecture’. There are certain practices I hope to see discontinued when the opportunity arises. We need make sure that when an NUS Aikidoka visit other Aikido dojos, they carry with them basic courtesy and etiquette to help them forge ties and build friendship and most importantly, not bring disgrace to Harry sensei!

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Take a bow

We bow in Aikido, towards the front of the dojo, where a photograph of O’sensei is usually hung or placed. Some other dojos hung scrolls instead of O’sensei’s photo. In our old Bukit Merah Dojo, we hung O’sensei’s photograph and that of the 1st doshu, Kisshomaru Ueshiba, and a huge scroll.

Right now in NUS, Harry sensei replaced O’sensei’s photograph with a scroll, as he doesn’t want the students to mishandle O’sensei’s photograph.

“Bowing before class starts is like a recharge for me”

Anyway, we bowed to the front, and that for me starts my session in class, long before Harry sensei officially starts class. The first bow in class, for me is the most important bow. It is not religiously motivated, no I do not pray towards O’sensei. I bow because there is a deep reverence I have in me, and for me to practice Aikido well, I need to be mindful of that reverence.

As I bow, I think of many things that has happened. I extend my thought towards people I cared about, matters I cared about, sometimes, I bow to surrender to the day, I bow to get ‘turned on’ and mentally psych myself for the Aikido class ahead. It is no longer as simple as a bodily bow. when I bow my body, I let my mind settle on mindfulness of a couple of things, matters, situation people I care about or have came into my awareness.

I’ve long learned that the ‘beginner’s mind’ for me is to constantly return to the basic human fundamentals, my humility, my connection to the earth, my connection to people, to myself. Nowadays we are so connected to external devices that we no longer connect inside of us. And we continue to chase what is outside, using our precious energy in us to do that senseless chasing.

Bowing before class starts is like a recharge for me. I divorced myself of all those things that bothers me, and reconnects with the inside of me which is the more sustainable part, the more silent and deep part, where my wisdom resides. With a deep and long bow, I can connect and find the energy and calmness to handle class, the patience to deal with things.8545039169_eb9b76642f_n2.jpg

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I am 3rd Dan

Just got my 3rd Dan earlier this year. Sensei told us to go for a grading earlier this year and I think mine was long overdue.

I’ve typically shy away from grading and when Sensei told me I need to grade, I took out my faded Yudansha booklet indicated my last grading for 2nd Dan was more than 5 years ago.

My junior belts are mostly 2nd Dan already, and if I don’t move up, they’d probably be stuck, or they will move up and become my senior.

Although this is not a problem for me, and it has happened before, but I think my Sensei wants to maintain a kind of equilibrium and healthy camaraderie in the dojo, where the senpais gets graded and move up the ranks, before the juniors can take their grades.

The Actual Grading

Like all gradings, one can never say that he/she is fully prepared. It is just not possible, you can train all you want and at the day of the exam, you will still realise that there are some things you fell short of, that’s what grading does anyway.

But having spent more than 2 decades in Aikido, I don’t see grading as grading anymore, and the sense of trepidation is on a manageable scale. Just don’t screw up too badly, and by now most of the fundamental building blocks of Aikido’s pedagogy is already very much second nature to me. Sensei can basically flip a variation to a basic move anyway and anyhow, and I’ll still kind of get it right.

Going through the motion?

It’s not like that. I still take the entire grading seriously, except that it’s just kind of not like a usual grading anymore. I’ve always been serious and earnest in class, and I apply the same attitude in grading.

Besides, Sensei sees my skills every time I train, and if I’m not up to par, he wouldn’t have asked me to grade. On that note, I have never asked my Sensei for a grading, as I have never assumed that I am up to par.

While I have been earnest in my training as well as in my grading, my Ukes for my grading, didn’t make it too easy for me. Especially when it comes to the last part, free practice; 2 attackers.

2nd Dan vs 3rd Dan

How much more different can I get in Aikido? I end up asking myself one day. I mean it is pretty much the same thing, over and over and over again. So what if I get a 3rd, 4th or 5th Dan? What is that differentiating qualities that can tell me apart from one 3rd Dan to another?

In a qualitative and somewhat abstract art like Aikido, it can be difficult. Of course, Aikikai ha some definition about what a 3rd Dan can do that a 2nd Dan cannot, but in practice, it always differs.

My Sensei don’t really teaches weapons, so while some schools needs 3rd Dan to be proficient in handling weapons, it is simply not the case in my dojo.

Back to my question, I don’t have the answer until I got my grade. It is the proverbial, cross the bridge when we get there. And now I’m here, holding a 3rd Dan, I perhaps do feel the difference, or maybe it is placebo.

 My Assessment on my Own Grading 

Well, Siew Chin was nice enough to turn up and help take a video of all those who graded. When I look at the videos, I realised that I am too combative and still too rigid in my movement.

Stiff and mechanical

There is a level of objective threat assessment, and handling mindset, and it shows in the rigid way I move to neutralise the Uke. There is too much engage and disengage dichotomy, and it doesn’t flow well.

That means I am unable to fully appreciate my Uke, and absorb him/her into my circle. So I am still dealing with an ‘outside’ item. I am not able to fully open up myself to receive the attack. That means I still have my insecurities which I am afraid that my Uke will find out and I will not be able to handle that findings.

In short, I am still guarded.

Free practice; 2 Attackers

Sensei was kind enough to dispatch Shin Woei and Mingjie to be my Ukes for my last part. They are bigger than me. And Size Does Matters.

It started ‘well’ when I dodged Mingjie’s Shomen strike, and then everything just went reactive from there. I couldn’t find my sweet spot, and while Shin Woei was kind of helping, his bulk and size is still an organic mass that I have to deal with. Mingjie was more aggressive and harder-hitting.

We all know it wasn’t anything personal, as we have been training with each other for years, they are like brothers to me, and we have massive respect for each other. That doesn’t mean they will cooperate fully and play ‘possum Uke’ for me to look good on my grading.

It was moderate to high resistance, and it helped me understand and earn my 3rd Dan.

While I move from 2nd to 3rd, I walked away from the grading with more desire to explore the ‘non-physical’ part of Aikido. Perhaps that is where my next journey lies. There is only so much I can do facing larger (maybe faster) opponents, and I realised that I am still facing these belligerents head-on, in a linear confrontational, attrition style engagements, I will lose.

 Lacking Flow

There’s a lack of flow in my movement, and despite of improvements, I still move in a piecemeal manner, transiting from one attacker to another, often unable to finish the first one completely, moving to the second one; only leaving the first one to recover faster than I am ready, and me ending up dealing with too much on hand. My mind is not able to take in both as one, and manage them with my centre. Tough shit, but it wasn;t made to be easy, nor pretty.

Sensei’s feedback

Too aggressive. Need to relax.

Enough said.